Canon EOS C300 Kit (EF Mount) Hire
£125/Day or £475/Week

Canon EOS C300 Kit (EF Mount) Hire
£125/Day or £475/Week

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Super 35mm Canon CMOS sensor. Full HD recording to XF Codec 50Mbps 4:2:2. EF lens mount.

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KIT INCLUDES:

The Canon EOS C300 - all our Canon C300 camera kits come with camera case, batteries, mains power supply and charger, headphones, and all necessary cables.

1x Canon C300 Monitor Unit

1x Canon C300 Handle Unit

1x Canon C300 Grip Unit

1x Vocas 0350-0016 Riser Block

2x 15mm Bar

1x Canon BP-955 Battery

2x Canon BP-975 Battery

1x Canon DC-940 DC Cable

1x Canon CA-940 Power Adapter

1x Canon CG-940 Battery Charger

1x Canon Instruct Manual

2x Fig 8 Mains Cable

1x HDMI Cable

2x BNC Cable

2x SanDisk 32GB CF Card

1x Lexar Card Reader

1x USB 3 Cable

1x Sony MDR-V150 Headset

1x Tripod

Lens not included, see Lenses for hire.

DETAILS:

Shoots to Compact Flash cards. Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses.

Bringing Canon's expertise and decades of experience designing sensors, lenses, image processing and design to the world of motion picture capture, the EOS C300 camera has been designed to meet the demanding needs of cinema industry professionals, providing a modular, portable and eminently adaptable system of cameras, lenses and accessories built for moviemaking in the 21st century.

Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets.

The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work.

New Canon Super 35mm CMOS Sensor
Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It uses 3840 (H) x 2160 (V) photosites to perform the crucial optoelectronic transformation of digital imaging. Each photosite is a generous 6.4 x 6.4 micrometers in area and each has a microlens that ensures the highest efficiency in light transfer to the individual photodiode. Proprietary technologies within the photosite simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode - a combination that assures superb dynamic range. The image sensor employs an innovative readout technique that delivers full bandwidth individual RGB video components without the need for any debayering algorithms. Each of these components has a 1920 (H) x 1080 (V) sampling structure at up to 60 frames. From these original video components, a 1080-line 60i format or a 1280 (H) x 720 (V) at 60P HD format are selectively derived.

Canon DIGIC DV III Image Processor
Designed and built by Canon for the highest HD RGB processing, the DIGIC DV III Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations originated in the single CMOS sensor of the camera into three channels (Red, Blue and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.

XF Codec Image Quality
To create digital files robust enough for major post-production, the EOS C300 delivers the highest image quality with its XF Codec - the same codec used by other Canon XF - professional camcorders. With 4:2:2 color sampling, image files have double the vertical resolution of color components created with 4:2:0 color sampling, minimizing jagged edges between red and blue and ensuring ample quality for chroma key compositing with green screens. Thanks to the Canon XF Codec and the EOS C300's superior resolution, original color quality and cinematic look will hold up through post-production - with results that meet or exceed the filmmakers expectations.

CF Memory Card Recording
For versatility and reliability, the EOS C300's recording and terminal specifications are completely compatible with the prevailing industry standards. It records to CF cards through dual slots. From a cost and reliability standpoint, CF cards have no equal. Solid state, and easy to find, 2 hours of 4:2:2 50 Mbps footage can be recorded on two reusable and hot swappable 32 GB CF cards with ease. It's even possible to record to two CF cards simultaneously and relay-record for uninterrupted shots and copy from one card to another.

Multiple Recording Formats and Advanced Recording
With the realities of production in mind, the EOS C300 can record in a number of different modes, resolutions and frame rates, delivering quality recordings perfect for any application. 24.00p mode matches the exact frame rates of film cameras, so there's no need for time-consuming frame-rate conversion. And the camera can shoot in both PAL and NTSC modes at 50 Mbps (CBR), 35 Mbps (VBR) and 25 Mbps (CBR) with a range of settings for resolution, color, frame rate and recording time. Whether shooting with the expectation of significant editing and post-production, recording for compatibility with HDV editing, or simply creating the longest possible HD image files, the EOS C300 camera will perform flawlessly.

High-Speed, Slow-Motion, Time-Lapse and Stop-Motion
Beyond the advantages of file-based recording, the EOS C300 offers a number of creative possibilities in post-production. By capturing fewer frames per second, the camera can transform normal action into intense high-speed motion up to 60x. By capturing more frames per second, the camera can slow down motion to 1/2.5x at 720p. The EOS C300 can also be programmed to record a set number of frames at defined intervals for amazing time-lapse photography - and a frame-recording feature is perfect for stop-frame animation.

Connectivity
To connect to external monitors, switchers, VTRs and NLE systems with SDI inputs, the EOS C300 features industry-standard HD-SDI Output, Genlock, and Timecode terminals plus audio terminals with Linear PCM recording. Timecode and Genlock enable synchronized multiple camera capture, perfect for multiple camera shots, 3D acquisition and more. The HD-SDI Sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite.

Full Manual Control and Focusing Aids
Providing the cinematographer with everything they need in the palm of their hands, the EOS C300 comes ready to produce. The cameras have a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4" LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well. It's all in the camera.